One of the most musically versatile chamber choirs in the country
Now in its 34rd season, Canticum is one of London’s leading chamber choirs, praised both for accomplished performances of major works and for exploring contemporary repertoire. The choir commissions new writing and gives regular first performances.
Our new season includes The Elizabethans at St Peter’s Eaton Square on 9th November, Carols for Choir and Audience at St Saviour’s Pimlico on 13th December, The Arvo Part St John Passion at St Stephen Walbrook on 7th March and a Shakespeare-themed concert as part of the St Bartholomew the Great’s 900th anniversary celebrations on 10th July.
Last season included a performance of JS Bach Mass in B Minor with Counterpoint to a sell out Holy Trinity Church, a recording of the complete works of contemporary English composer Charles Paterson at the Wren masterpiece church of St Stephen Walbrook and a concert of Antiphon settings through the centuries, including Keith Roberts’ epic Veni, at St Sophia’s Greek Orthodox Cathedral.
Other recent highlights include the premiere of Stephen McNeff’s Armistice-inspired Walking Shadows along with Mozart’s Requiem at St Martin-in-the-Fields, and performances of Poulenc’s Figure Humaine and Hywel Davies’ War Songs at the Cheltenham Music Festival.
Canticum has sung BBC Radio 4’s Christmas Morning Service, performed Bach’s Mass in B Minor with the Orchestra of The Age of Enlightenment at St John’s Smith Square, opened the Chelsea Festival with Pink Floyd’s Atom Heart Mother alongside David Gilmour and staged the première of the late Sir Peter Maxwell Davies’ Step by Circle, a work dedicated to Mark Forkgen and the choir.
Other London venues include the Royal Festival Hall, St Paul’s Cathedral, St Peter’s Eaton Square, and Temple Church. Canticum performs regularly at Holy Trinity Sloane Square and at the Barbican with London Concert Choir. Regular tours abroad have featured works including Purcell’s Dido and Aeneas and Handel’s Messiah and Israel in Egypt – a performance which opened the Viterbo Early Music Festival.
The recording catalogue includes the sacred choral music of Charles Paterson and Christopher Wright; In The Gloom of Whiteness, with works by Colin Riley, Fraser Trainer and Keith Roberts; A Hymn to the Virgin, featuring Victoria, Poulenc and Panufnik; and two Christmas discs: A Christmas Carol and The Christmas Story.
Sounds and Sweet Airs at the Lighthouse, Poole
(Four stars out of five) As a nine-year-old schoolboy I wasn’t much interested in Shakespeare’s 400th birthday, and I will need to live to 109 to see his 500th. So I’m grateful that, in Poole at least, they are celebrating his 450th with what passes in Dorset for frenzy. I’m not sure what Shakespeare’s connection with the Bournemouth area was — but it must have been huge, because this concert of more than a dozen pieces inspired by his plays and poems was an epic community effort.
For sumptuous beauty, however, not even Vaughan Williams’s Serenade to Music could match the unaccompanied choral pieces with which Canticum opened the programme: Our Joyful’st Feastby Einojuhani Rautavaara. In an otherwise all-British programme the Finn’s mellifluous harmonies were a timely reminder that, from Berlioz and Mendelssohn to Verdi and Prokofiev, most of the greatest Shakespeare music has been written by foreigners.
Music Director – Mark Forkgen
Mark Forkgen has been Music Director of Canticum since 1995. He is also Music Director of London Concert Choir and Principal Conductor and Artistic Advisor of Kokoro, the Bournemouth Symphony Orchestra’s contemporary music group.
He has worked with many leading orchestras, including the Royal Philharmonic, the Orchestra of the Age of Enlightenment, Bournemouth Symphony Orchestra, the City of London Sinfonia, the English Chamber Orchestra, the English Northern Philharmonia and the Composers’ Ensemble, appearing at all the major venues including the Royal Festival Hall, the Barbican, the Royal Albert Hall and Covent Garden.
A specialist in the field of choral and contemporary music, he has given first performances of over one hundred works, while also acting as Conductor and Artistic Advisor for highly acclaimed festivals including Sir Peter Maxwell Davies’s 70th Birthday, Stravinsky Rite On, A Festival of Britten, Music of the Americas, Britain after Britten and East meets West. His wide range of conducting also includes performances with Deep Purple leading a project for the Chelsea Festival based on Pink Floyd’s “Atom Heart Mother”. He has also conducted a number of productions in the last few years including Sweeney Todd, Cabaret, The Threepenny Opera, Oh What a Lovely War and The Boyfriend.
Mark’s recordings with Canticum and Kokoro have been highly recommended by BBC Radio 3 and in both musical and national press. Outside the UK he has given performances of Stravinsky’s The Rite of Spring in Denmark, Handel’s Messiah in Siena and Handel’s Israel in Egypt at the Viterbo Early Music Festival in Italy, Schubert and Bach in Hong Kong and Haydn’s The Seasons in Assisi.
Mark is a champion of youth music. He is currently Director of Music at Tonbridge School, having been conductor of the Scottish Schools’ Orchestra for ten years and Music Director of the Ealing Youth Orchestra and Dorset Youth Orchestra for eight years.
St Saviours Church, Pimlico, London,UK